
Although emotions punctuate almost all the significant events in our lives, the nature, causes, and consequences of the emotions are among the least understood aspects of human experience. It is easier to express emotions than to describe them and harder, again, to analyze them. — Aaron Ben-Ze’ev
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Because there are reasons and justifications for feeling emotions, because emotions can, to a degree, be suppressed, because their manifestation is, to some extent, controllable, because the expression of persistent emotions in words and deeds is largely intentional, and because our emotions provide us with reasons (and hence too with motives) for voluntary and intentional action, emotions can be educated. [….] Equally, children and adults alike need to learn to control the manifestations of their immediate and spontaneous emotional responses, as well as the expression of emotional responses in what they say. They need to learn to reflect on the motivational warrant afforded by persistent emotions and to make reasonable and rational decisions about acting out of emotions.
Although our emotions need educating, there are, of course, no lessons in feeling emotions any more than there are lessons (as opposed to training) in virtue.* Our emotional education takes place in the white waters of life, with its rocks, eddies, waterfalls, and whirlpools. Our emotions are diurnally engaged in familial and social intercourse, in relationships with superiors, equals, and subordinates at the workplace; with members of the public at large and with officials of the bureaucratic state. They are subjected from time to time, to a greater or lesser degree, to cynicism and approval—especially, but not only, in childhood and youth. As we are social creatures, our emotional education is the product of parental care (or neglect), peer pressure (in childhood and adulthood alike), responsible (or negligent) schooling, the wisdom (or bigotry) of religion, the honest (or deceitful) rhetoric of political leaders, and the mass media. All of these teach us, well or badly, what to care about and what not to care about. They are all liable to breed emotional inauthenticity. They are prone to generate prurient emotions, sentimentality (spurious and excessive emotion), hypocrisy, clichéd and stereotyped emotional responses, religious, racial, and political bigotry and self-satisfaction, and self-righteous aggressive emotion. Authentic emotions require not merely an open heart, but also a critical mind—the exercise of one’s own rational faculties. Mere authenticity in emotion is of little merit, let alone an excuse, in the absence of reason and understanding. Emotional maturity requires good judgment. — P.M.S. Hacker, The Passions: A Study of Human Nature (John Wiley & Sons, 2018)
* That is one reason why critical education in literature is not a pedagogical luxury but an indispensable part of the curriculum in any civilized society. It awakens the imagination, broadens the conception of emotion-eliciting situations, fosters the ability to appreciate different points of view, encourages the critical evaluation of emotions and emotional motivation, and invites considered judgment.
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… [W]ith respect to an important subset of the emotions we can learn more from moralists, novelists, and playwrights than from the cumulative findings of scientific psychology [Elster is referring to academic, experimental psychology which is neo-positivist and behaviorist, as well as radically reductionist and largely dismissive of psychoanalytic psychology.1]These emotions include regret, relief, hope, disappointment, shame, guilt, pridefulness,2 pride, hybris, envy, jealousy, malice, pity, indignation, wrath, hatred, contempt, joy, grief, and romantic love. By contrast, the scientific study of the emotions can teach us a great deal about anger, fear, disgust, parental love, and sexual desire (if we count the last two as emotions). [….] I believe … that prescientific insights into the emotions are not simply superseded by modern psychology in the way that natural philosophy has been superseded by physics. Some men and women in the past have been superb students of human nature, with more wide-ranging personal experience, better powers of observation, and deeper intuitions than almost any psychologist I can think of. This is only what we should expect: There is no reason why one century out of twenty-five should have a privilege in wisdom and understanding. In the case of physics, this argument does not apply. — Jon Elster, Alchemies of the Mind: Rationality and the Emotions (Cambridge University Press, 1999)
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I want to outline a few conceptual, analytical, and phenomenological assumptions and propositions about “the emotions” in general while later introducing the emotion of anger in particular (some of this material is taken from a post in 2012). And while I’ll draw primarily from “Western” philosophers and those familiar with psychoanalytic psychology in what follows, I should point out my agreement with Jon Elster’s belief stated above, namely, that at least “with respect to an important subset of the emotions, we can learn more from the moralist, novelists and playwrights than from the cumulative findings of scientific psychology.” Elster further notes that “[a]lthough there is no clear boundary line between the moralists and the moral philosophers … their concern is more with moral psychology rather than with morality as such.” Professional moral philosophers and ethicists during much of the twentieth century largely ignored moral psychology (leaving it, by default, to the province of modern experimental psychology). Amélie Oksenberg Rorty is perhaps the foremost exception to the rule, for not only did she—unlike most of her colleagues—take Freud seriously, she helped to resurrect a philosophical interest in and exploration of moral psychology (this resurrection was in part aided by the emergence of ‘virtue ethics’ and a revival of philosophical interest in our emotions). Early Greek philosophers, from Plato and Aristotle to the Hellenistic philosophical schools in Greece and Rome: Peripatetic, Neo-Platonic, Skeptic, Epicurean, and Stoic, did not neglect moral psychology (nor did classical Chinese philosophy, especially that associated with Confucius, which we see not only in the Analects, but in the Five Classics [the Odes, Documents, Rites canons, Changes, and the Spring and Autumn Annals], especially the Odes). Indeed, it was an integral and often prominent part of these moral and ethical philosophies, and conspicuously so in Buddhism as well. And I think we can appreciate this on its own terms even if we believe in the necessity (with regard to conceptual and analytical clarity) of the professional division of labor that exists today between philosophy and psychology, a division that readily turns pernicious (as more than a few ethicists and moral philosophers have begun to recognize) when moral psychology falls between the disciplinary cracks.
Unfortunately, I will leave out here not only the approach to emotions found in Buddhist schools, but likewise “emotions in Indian thought-systems” more generally. Nor will I address the role of emotions in classical Chinese worldviews (or numerous other worldviews for that matter), for my knowledge in these domains is limited to some familiarity with Indic aesthetic theories and Buddhist works on the emotions (the latter parsed in terms of the three-fold division of the ‘eightfold path’ or [P.] ariya aṭṭhaṅgika magga/[S.] āryāṣṭāṅgamārga: concentration, ethics, and wisdom). We should bear in mind that Buddhism does not have a conceptually equivalent generic term for “emotion,” and its “holistic” approach to mental life (and the spectrum from suffering to happiness) is primarily in service of its therapeutic philosophy and psychology, taking us far beyond the parameters and constraints set by our accordingly parochial preliminary sketch.3
In Alchemies of the Mind: Rationality and the Emotions (Cambridge University Press, 1999), Elster looks at the emotions in terms of six features: 1) bodily arousal; 2) physiological expression; 3) cognitive antecedents; 4) intentional objects; 5) valence (pleasure-pain); and 6) action tendencies. In what follows I’ll largely ignore the first two items in the list, and although the other features will be important, the results will be far from the analytic perspicuity, sophistication, and detail with regard to these elements that mark Elster’s work. The late Robert C. Solomon wrote that “we live in and through our emotions,” a proposition that appears true, for many of us, much of the time, although it is perhaps a banal observation to some. All the same, I suspect we have yet to sufficiently appreciate the existential and psychological truth incarnate in that statement, with all its implications and consequences for understanding and explaining human behavior. Solomon elaborates:
“[Emotions] are sometimes, perhaps even often, strategies for getting along in the world. They are a means of motivating, guiding, influencing, and sometimes manipulating our own actions and attitudes as well as influencing and manipulating the actions and attitudes of others. [Wollheim argues that motivation is, strictly speaking, the prerogative of desire, as an emotion will lead us to form desires, and these desires, conjoined with beliefs, are what cause us to act.] [….] [Moreover], we are to a significant extent responsible for our emotions, something we often deny for the most self-serving of reasons, to make excuses for ourselves.”
The idea that our emotions are strategies suggests, for example, that anger (and other emotions) is (are) not so much in the mind (nor in the body or the brain) so much as they are “out there in social and interpersonal space.” Most of our emotions usually arise with personal interaction and in reaction to other people, beginning at birth. Ronald de Sousa has captured this social learning aspect of emotions in a provocative and fertile phrase, “paradigm scenarios.” We learn to be angry, whatever the underlying neurological and hormonal machinery, in social interaction. And what we learn has a lot to do with the seeming appropriateness of the circumstances.”
Nonetheless, the fact that we learn about anger in “social and interpersonal space” (one reason Peter Goldie speaks of making sense of emotional experience only by way of its ‘embeddedness’ in ‘narratives’) does not preclude the possibility that anger still is, in several and very important senses, a matter of what is, as we say, “on” or “in” our minds (recalling that some—especially Wittgensteinian-inspired—theories of ‘the mind’ encompass in large measure this social dimension). We therefore, and rightly, speak of “internalizing” what we have learned. And we need only think of how we learn to moderate our expressions of anger or overcome predilection for same: this typically involves self-examination, personal reflection, and a “therapy of desire” in the Buddhist or Stoic sense (again Wollheim: ‘emotion rides into our lives on the back of desire’), in other words, mental exercises or a therapeutic regimen of some sort (what the Buddhists term ‘mind-training’). To be sure, such exercises or therapies will be tested in the crucible of everyday life, but the primary focus is on the mind as such.
In brief, how we learn to be angry or learn about anger is not necessarily determinative or indicative of the nature of anger as an (often volatile) emotion. As Solomon himself would say, emotions like anger structure the way we perceive, conceive, and evaluate things in our world, and these are by definition mental (or ‘intentional’) activities, however much they are of or about objects in our external and internal worlds: a thing, person, event, action, or state of affairs (as in 3, 4, and 6 of Elster’s list above), objects; furthermore, these objects may or may not exist in the conventional sense (cf. Kleinian phantasy). The morally and psychologically salient aspects of the emotions require a keen understanding of the nature of mental states and mental dispositions (the latter underlying the former), of the meaning, makeup, and roles of beliefs and desires, of knowledge, imagination, memories, inhibitions, habits, virtues and vices: sundry cognitive, affective, and volitional powers and skills. Richard Wollheim has explained in some detail just how such general properties as intentionality, subjectivity, and grades (or levels, states, forms) of consciousness qualify these mental phenomena.

With Robert C. Roberts, we’ll make the assumption that emotions are directly and indirectly implicated in the “the ‘moral’ character of our lives” in a manner that is “pervasive and deep.” Emotions are capable of determining the identity of our actions, given their intrinsic connections to action, character, and relationships. A set of basic propositions about the emotions drawn largely from Roberts’ Emotions: An Essay in Aid of Moral Psychology (2003), and Michael Stocker’s Valuing Emotions (1996), but gleaned also from a few other philosophers, will serve as a conceptual backdrop by way of fundamental assumptions and premises for our preliminary or introductory examination, as well as a forthcoming post on anger (these are not in any kind of order apart from being enumerated):
- “The role of emotion is to provide the…person with an orientation, or attitude to the world.” (Wollheim)
- [E]motions can aid in the discovery of value. (Stocker)
- “[P]eople’s characters and their values can be revealed by emotions.” (Stocker)
- “[E]motions reveal not just our values and evaluations but much of our interior and exterior worlds….” (Stocker)
- “Emotions may show valuings rather than value: how a person values something, not the value something has or the value the person takes it to have. Sometimes people have emotions that contain and reveal valuings, not values; and sometimes people have emotions that reveal a lack of valuing, even in the face of acknowledged value.” (Stocker)
- “Some emotions involve … fantasy valuings; and, inspired by the Philebus, false valuings,” hence such emotions are called “fantasy or false emotions.” Stocker uses the example of Tolstoy’s Ivan Ilyich to illustrate how false or fantasy emotions can render large portions of a life, or even an entire life, “inauthentic.” This enables us to better understand Ilyich’s “disquiet” about his life, “about the truth and falsity of his leading values and emotions.”
- “Emotions can be evaluatively accurate and informative, and indeed more accurate and informative than reason and belief….” (Stocker)
- Emotions help motivate us. (Stocker)
- “Life like ours would be impossible without emotions.” (Stocker)
- “Emotions are paradigmatically felt, but emotions may occur independently of the corresponding feeling, and the feeling of an emotion can [as in no. 5 above] be nonveridical, illusory.” (Roberts)
- “Paradigm cases of adult human emotions take ‘objects.’” (Roberts)
- “Emotional objects are typically situational or composite, with unequal and shifting focus on the various elements of the situational object.” (Roberts)
- “It is possible to have emotions without being able to articulate (all of) their content; some of the content may be nonpropositional.” (Roberts)
- “Many types of emotion are motivational in the sense that they involve a desire to perform characteristic types of actions, but not all emotions are motivational in this sense.” (Roberts)
- “Emotions come in degrees of intensity.” (Roberts)
- “Expression of an emotion in behavior and action sometimes causes an emotion to subside, but sometimes expression intensifies and/or prolongs the emotion.” (Roberts)
- “Emotions, like actions, are subject to moral praise and blame.” (Roberts)
- “Emotions do typically ‘assert something about a situation, about its character (what kind of situation it is), and about its importance to the subject. But what the emotion ‘says’ is not always agreed to by the subject of the emotion, and it is that agreement would be required for the emotion to be a judgment of the subject. Speaking metaphorically, we might say that the emotion makes a judgment (a proposal about reality); but this ‘judgment’ is just the appearance or phantasia.”
- “Emotional pretense can take two basic forms: veil and mask, that is, hiding an emotion one feels and showing an emotion one does not feel.” (Ben-Ze’ev)
- “Nothing is more immediate to us than our own emotions, but nothing about us is more prone to self-deception, suppression, lack of recognition, and even straightforward denial than our emotions.” (Solomon)
- “[W]e cannot fully make sense of the emotional experience without taking into account the larger narrative of which it is a part,” [including traits of character]. (Goldie)
- “[O]ur emotions can be educated.” (Goldie)
- “[O]ur capabilities for emotional experience are significantly developmentally open or plastic (a notion which comes in degrees). To be developmentally open is to be open (to some degree) to moulding by culture and the environment. I put this forward as an alternative to a view which I call the avocado pear conception of the emotions: the view that what is evolved in human emotional capabilities is, in some sense, ‘hard-wired,’ and that it is only the ‘softer’ outer element which is culturally influenced.” (Goldie)
- “[N]either the sciences nor cross-cultural diversity need threaten our concepts of emotions and emotion-evoking features [as we have come to understand these in ‘commonsense’ or folk psychology]. The fact that these concepts are, unlike scientific concepts, interest-relative, need not undermine our confidence in them, nor need it imply any sort of relativism about the truth of claims we might make about our emotions or about emotion-invoking features of things in our environment.” (Goldie)
- “[I]magination can induce a particular emotional state in someone who does not have the emotional disposition that that state would ordinarily manifest.” (Wollheim)

By way of wrapping things up, I want to share another passage from Peter Hacker’s book, The Passions (2018) one that speaks concisely and incisively to the complicated relations between reason or rationality and the emotions, between the cognitive and affective dimensions of our lives, which we might distinguish for analytical purposes but in reality are often deeply if not mysteriously entangled.
“ … [T]he picture of ‘reason’ and the ‘emotions’ as being in perpetual conflict, of the rectitude of the faculty of reason and the irrationality of the emotions, is a pernicious distortion of important truths. Our emotional responses are commonly rational and reasonable. But they may be irrational and unreasonable. They are then to be judged, criticized, and changed or restrained by reasoning. Conversely, our reasons for thinking or acting may be wrong, poor, or even bad, and they can be corrected by our feelings—especially by different forms of love and compassion. Forgiveness is often wisely motivated by love; deserved indifference is sometimes mitigated by compassion; reasonable self-interest is sometimes overridden by feelings of fraternity and solidarity. Finally, one emotion may often correct another: hope may overcome despair; curiosity may master disgust; pride may control fear. But these are not conflicts between forms of unreason.
We caricature our abilities and liabilities when we contrast ‘cold’ reason with ‘hot’ passion, although it is true that passions warp good judgment. But there is nothing ‘cold’ about reasons for feeling gratitude or indignation, compassion or remorse, pride or shame, and nothing ‘hot’ about feeling indifferent or apathetic. To say that we are going to act in accordance with our heart, not with our head, is misleading. For that, if taken at face value, is tantamount to saying that we shall disregard good reasons and act out of unreasoned inclination. What is presumably intended is a declaration that we shall disregard cost-benefit considerations and act out of loyalty, love, or fraternity. [….] We have reasons for our emotions—but they may be poor rather than good reasons, invalid rather than correct, and we may indulge to excess in the emotions we feel. Our emotions often provide us with motives—but whether we should act out of the emotion we feel requires judgment and understanding. In these ways, and in others, reflexive reason is needed to control the passions. Its task is to assess the rational warrant for our feelings when such warrant is met, to curb excess in the emotions felt, to control their manifestation and expression, and to keep them within the bounds of reasonableness. It is not always up to the task.”
Notes (by yours truly)
- I would add psychoanalysts to this list (many of whom are of course inclined to learn from or draw upon particular arts, such as literature and poetry, as well as drama). It is not clear that Elster would agree on this score. As for the principal differences between “academic” or experimental psychology and psychoanalytic psychology I’ll recommend two titles: Kurt Jacobsen’s Freud’s Foes: Psychoanalysis, Science, and Resistance (Rowman & Littlefield, 2009) and Ilham Dilman’s Freud: Insight and Change (Basil Blackwell, 1988). Another contrast we should note is that between psychoanalytic psychology and contemporary psychiatry. Psychoanalysis rests, in several fundamental respects, on metaphysical, epistemic, and philosophy of mind presuppositions and assumptions that are in striking contrast to the predominant model of contemporary psychiatry, one that unabashedly adheres to a (scientistic) “’medical model’ advocating ‘the consistent application, in psychiatry, of modern [bio-]medical thinking and methods’ because psychopathology ‘represents the manifestations of disturbed function within a part of the body,’ to wit, the brain” (from the introduction to the Stanford Encyclopedia of Philosophy (SEP) entry on the ‘philosophy of psychiatry’). Biology (with genetics and neurology) is constitutive of scientistic (i.e., reductionist) psychology on this account and the “mind” is reducible to the brain. Much more could be said by way of illuminating these differences, which are often (intentionally or not) ignored or insufficiently appreciated among both professionals and the lay public.
- Elster defines “pride” as an emotion triggered by a belief about one’s own action and “pridefulness” as triggered by a belief about another’s character.
- For a taste of what’s left out, please see:
- Bilimoria, Purushottama and Aleksandra Wenta, eds. Emotions in Indian Thought Systems. New York: Routledge, 2015.
- Chakrabarti, Arindam, ed. The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. London: Bloomsbury Academic, 2016.
- Chari, V.K. Sanskrit Criticism. Honolulu, HI: University of Hawaii Press, 1990.
- de Silva, Padmasiri. An Introduction to Buddhist Psychology. Lanham, MD: Rowman & Littlefield, 3rd, 2000.
- de Silva, Padmasiri. Buddhist and Freudian Psychology. Carlton North, Victoria: Shogam Publications, 4th, 2010.
- Masson, J.L. and M.V. Patwardhan. Śāntarasa and Abhinavagupta’s Philosophy of Aesthetics. Poona: Bhandarkar Oriental Research Institute, 1969.
- Nylan, Michael. The Five “Confucian” Classics. New Haven, CT: Yale University Press, 2001.
- Pollock, Sheldon, ed. A Rasa Reader: Classical Indian Aesthetics. New York: Columbia University Press, 2016.
- Zhang, Yanhua. Transforming Emotions with Chinese Medicine: An Ethnographic Account from Contemporary China. Albany, NY: State University of New York Press, 2007.
References and Further Reading (embedded links to relevant bibliographies)