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An interview with Paul Robeson on KPFA (thanks to Michael Duff for the link).
Recommended Reading:
In honor of Black History Month:
“Faulkner and Desegregation”
Partisan Review, Fall 1956 (Vol. 23, No. 4): 568-573
By James Baldwin
Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or thought one knew; to what one possessed or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set free—he has set himself free—for higher dreams, for greater privileges. All men have gone through this, go through it, each according to his degree, throughout their lives. It is one of the irreducible facts of life. And remembering this, especially since I am a Negro, affords me almost my only means of understanding what is happening in the minds and hearts of white Southerners today.
For the arguments with which the bulk of relatively articulate white Southerners of goodwill have met the necessity of desegregation have no value whatever as arguments, being almost entirely and helplessly dishonest, when not, indeed, insane. After more than two hundred years in slavery and ninety years of quasi-freedom, it is hard to think very highly of William Faulkner’s advice to “go slow.” “They don’t mean go slow,” Thurgood Marshall is reported to have said, “they mean don’t go.” Nor is the squire of Oxford very persuasive when he suggests that white Southerners, left to their own devices, will realize that their own social structure looks silly to the rest of the world and correct it of their own accord. It has looked silly, to use Faulkner’s rather strange adjective, for a long time; so far from trying to correct it, Southerners, who seem to be characterized by a species of defiance most perverse when it is most despairing, have clung to it, at incalculable cost to themselves, as the only conceivable and as an absolutely sacrosanct way of life. They have never seriously conceded that their social structure was mad. They have insisted, on the contrary, that everyone who criticized it was mad.
Faulkner goes further. He concedes the madness and moral wrongness of the South but at the same time he raises it to the level of a mystique which makes it somehow unjust to discuss Southern society in the same terms in which one would discuss any other society. “Our position is wrong and untenable,” says Faulkner, “but it is not wise to keep an emotional people off balance.” This, if it means anything, can only mean that this “emotional people” have been swept “off balance” by the pressure of recent events, that is, the Supreme Court decision outlawing segregation. When the pressure is taken off—and not an instant before—this “emotional people” will presumably find themselves once again on balance and will then be able to free themselves of an “obsolescence in [their] own land” in their own way and, of course, in their own time. The question left begging is what, in their history to date, affords any evidence that they have any desire, or capacity to do this. And it is, I suppose, impertinent to ask just what Negroes are supposed to do while the South works out what, in Faulkner’s rhetoric, becomes something very closely resembling a high and noble tragedy
The sad truth is that whatever modifications have been effected in the social structure of the South since the Reconstruction, and any alleviations of the Negro’s lot within it, are due to great and incessant pressure, very little of it indeed from within the South. That the North has been guilty of Pharisaism in its dealing with the South does not negate the fact that much of this pressure has come from the North. That some—not nearly as many as Faulkner would like to believe—Southern Negroes prefer, or are afraid of changing the status quo does not negate the fact that it is the Southern Negro himself who, year upon year, and generation upon generation, has kept the Southern waters troubled. As far as the Negro’s life in the South is concerned, the NAACP is the only organization which has struggled, with admirable single–mindedness and skill, to raise him to the level of a citizen. For this reason alone, and quite apart from the individual heroism of many of its Southern members, it cannot be equated, as Faulkner equates it, with the pathological Citizen’s Council. One organization is working within the law and the other is working against, and outside it. Faulkner’s threat to leave the “middle of the road” where he has, presumably, all these years, been working for the benefit of Negroes, reduces itself to a more or less up-to-date version of the Southern threat to secede from the Union.
Faulkner—among so many others!—is so plaintive concerning this “middle of the road” from which “extremist” elements of both races are driving him that it does not seem unfair to ask just what he has been doing there until now. Where is the evidence of the struggle he has been carrying on there on behalf of the Negro? Why, if he and his enlightened confreres in the South have been boring from within to destroy segregation, do they react with such panic when the walls show any signs of falling? Why—and how—does one move from the middle of the road where one was aiding Negroes into the streets to shoot them?
Now it is easy enough to state flatly that Faulkner’s middle of the road does not—cannot—exist and that he is guilty of great emotional and intellectual dishonesty in pretending that it does. I think this is why he clings to his fantasy. It is easy enough to accuse him of hypocrisy when he speaks of man being “indestructible because of his simple will to freedom.” But he is not being hypocritical; he means it. It is only that Man is one thing—a rather unlucky abstraction in this case—and the Negroes he has always known, so fatally tied up in his mind with his grandfather’s slaves, are quite another. He is at his best, and is perfectly sincere when he declares, in Harpers: “To live anywhere in the world today and be against equality because of race or color is like living in Alaska and being against snow. We have already got snow. And as with the Alaskan, merely to live in armistice with it is not enough. Like the Alaskan, we had better use it.” And though this seems to be flatly opposed to his statement (in an interview printed in The Reporter) that, if it came to a contest between the Federal government and Mississippi, he would fight for Mississippi, “even if it meant going out into the streets and shooting Negroes,” he means that, too. Faulkner means everything he says, means them all at once, and with very nearly the same intensity. This is why his statements demand our attention. He has perhaps never before more concretely expressed what it means to be a Southerner.
What seems to define the Southerner, in his own mind at any rate, is his relationship to the North, that is, to the rest of the Republic, a relationship which can at the very best be described as uneasy. It is apparently very difficult to be at once a Southerner and an American; so difficult that many of the South’s most independent minds are forced into the American exile; which is not, of course, without its aggravating, circular effect on the interior and public life of the South. A Bostonian, say, who leaves Boston is not regarded by the citizenry he has abandoned with the same venomous distrust as is the Southerner who leaves the South. The citizenry of Boston do not consider that they have been abandoned, much less betrayed. It is only the American Southerner who seems to be fighting, in his own entrails, a peculiar, ghastly, and perpetual war with all the rest of the country. (‘Didn’t you say,’ demanded a Southern woman of Robert Penn Warren, ‘that you was born down here, used to live right near here?’ And when he agreed that this was so: ‘Yes . . . but you never said where you living now!’)
The difficulty, perhaps, is that the Southerner clings to two entirely antithetical doctrines, two legends, two histories. Like all other Americans, he must subscribe, and is to some extent controlled by the beliefs and the principles expressed in the Constitution; at the same time, these beliefs and principles seem determined to destroy the South. He is, on the one hand, the proud citizen of a free society and, on the other, is committed to a society which has not yet dared to free itself of the necessity of naked and brutal oppression. He is part of a country which boasts that it has never lost a war; but he is also the representative of a conquered nation. I have not seen a single statement of Faulkner’s concerning desegregation which does not inform us that his family has lived in the same part of Mississippi for generations, that his great-grandfather owned slaves, and that his ancestors fought and died in the Civil War. And so compelling is the image of ruin, gallantry and death thus evoked that it demands a positive effort of the imagination to remember that slaveholding Southerners were not the only people who perished in that war. Negroes and Northerners were also blown to bits. American history, as opposed to Southern history, proves that Southerners were not the only slaveholders, Negroes were not even the only slaves. And the segregation which Faulkner sanctifies by references to Shiloh, Chickamauga, and Gettysburg does not extend back that far, is, in fact, scarcely as old as the century. The “racial condition” which Faulkner will not have changed by “mere force of law or economic threat” was imposed by precisely these means. The Southern tradition, which is, after all, all that Faulkner is talking about, is not a tradition at all: when Faulkner evokes it, he is simply evoking a legend which contains an accusation. And that accusation, stated far more simply than it should be, is that the North, in winning the war, left the South only one means of asserting its identity and that means was the Negro.
“My people owned slaves,” says Faulkner, “and the very obligation we have to take care of these people is morally bad.” “This problem is ... far beyond the moral one it is and still was a hundred years ago, in 1860, when many Southerners, including Robert Lee, recognized it as a moral one at the very instant they in turn elected to champion the underdog because that underdog was blood and kin and home.” But the North escaped scot-free. For one thing, in freeing the slave, it established a moral superiority over the South which the South has not learned to live with until today; and this despite—or possibly because of—the fact that this moral superiority was bought, after all, rather cheaply. The North was no better prepared than the South, as it turned out, to make citizens of former slaves, but it was able, as the South was not, to wash its hands of the matter. Men who knew that slavery was wrong were forced, nevertheless, to fight to perpetuate it because they were unable to turn against “blood and kin and home.” And when blood and kin and home were defeated, they found themselves, more than ever, committed: committed, in effect, to a way of life which was as unjust and crippling as it was inescapable. In sum, the North, by freeing the slaves of their masters, robbed the masters of any possibility of freeing themselves of the slaves.
When Faulkner speaks, then, of the “middle of the road,” he is simply speaking of the hope—which was always unrealistic and is now all but smashed—that the white Southerner, with no coercion from the rest of the nation, will lift himself above his ancient, crippling bitterness and refuse to add to his already intolerable burden of blood-guiltiness. But this hope would seem to be absolutely dependent on a social and psychological stasis which simply does not exist. “Things have been getting better,” Faulkner tells us, “for a long time. Only six Negroes were killed by whites in Mississippi last year, according to police figures.” Faulkner surely knows how little consolation this offers a Negro and he also knows something about “police figures” in the Deep South. And he knows, too, that murder is not the worst thing that can happen to a man, black or white. But murder may be the worst thing a man can do. Faulkner is not trying to save Negroes, who are, in his view, already saved; who, having refused to be destroyed by terror, are far stronger than the terrified white populace; and who have, moreover, fatally, from his point of view, the weight of the Federal government behind them. He is trying to save “whatever good remains in those white people.” The time he pleads for is the time in which the Southerner will come to terms with himself, will cease fleeing from his conscience, and achieve, in the words of Robert Penn Warren, “moral identity.” And he surely believes, with Warren, that “Then in a country where moral identity is hard to come by, the South, because it has had to deal concretely with a moral problem, may offer some leadership. And we need any we can get. If we are to break out of the national rhythm, the rhythm between complacency and panic.”
But the time Faulkner asks for does not exist—and he is not the only Southerner who knows it. There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.
The avowed humanist spirituality*—or beauty, goodness, and dignity—in the work of the Black artist, Charles Wilbert White (April 2, 1918 – October 3, 1979):
“…The main point is that what really I’ve always tried to do, …which I think most artists have to do, is that I try to deal with truth as truth may be in my personal interpretation of truth and truth in a very spiritual sense—not ‘spiritual’ meaning religiously spiritual, but ‘spiritual’ in the sense of the inner-man, so to speak. I try to deal with beauty, and beauty again as I see it in my… interpretation of it, the beauty in man, the beauty in life, the beauty, the most precious possession that man has is life itself. And that essentially I feel that man is basically good. I have to start from this premise in all my work because I’m almost psychologically and emotionally incapable of doing any meaningful work which has to do with something I hate. I’ve tried it. There’s been a number of tragedies in my life, in my family’s life. My people on my mother’s side come from Mississippi and we’ve had five lynchings in my family, two uncles and three cousins over a long span of years. I’ve lived in the South, have had unpleasant personal experiences, been beaten up a couple of times, once in New Orleans and once in Virginia. My people all lived in rural sections mostly, were all farmers, so, and yet, at the same time I still maintain in spite of, again, my experiences, my family’s experience, tragedies, I still feel that man is basically good.
Charles White, Trenton Six (1949)
The other thing I try to deal with, the third point, is dignity. And I think that once man is robbed of his dignity he is nothing. And I try to take the sense, well I deal with Negro people primarily in terms of image I try to give it the meaning of universality to it. I don’t address myself primarily to the Negro people. They certainly are key, you know, and a major part of the audience that I address myself to, but generally I use an image in a more formal, universal sense than is sometimes understood by critics or people who see it.”
— Excerpt from an oral interview with White conducted by Betty Hoag for the Smithsonian Archives of American Art, March 9, 1965, in Los Angeles, California.
* For an introductory outline of this spirituality, please see here.